The Right Data for ePortfolios

Accountability has become the judge’s gavel that silences all discussion in higher education. Those using the term seem to think that higher education has never, until now, been accountable. So, to be re-accredited, many colleges and universities and many programs within the colleges and universities have looked to electronic portfolios for help. I think most people involved in these efforts would say the results have been, at best, mixed. They might say that the results were not worth the effort. And it seems that accrediting agencies may be wondering the same thing.

It may be well worth while to pause in this push toward accountability and ask: What are we doing now in higher education to see changes in students over time and how do we represent those changes so that both the student and other interested parties understand those changes? ePortfolios have been seen as the way to accomplish this task, but the potential is still unrealized because the wrong data is being entered into the ePortfolio.

The data being entered in most, or nearly all, cases is the assignment itself. Is that the best data--as assignments are constructed now--the most revealing of change in a student’s learning ability over time? Some campuses, instead, are focusing on the student’s response to faculty comments as a reflective piece. In fact, some say the reflective piece is all that they keep in the ePortfolio.

As strong an advocate for ePortfolios as I am, I think perhaps collecting student assignments, as they are generally constructed now, in electronic portfolios is the wrong approach. It may be that we have been too simplistic in our thinking.

Here’s why: Will the work itself, with comments on the work by instructor and replies by the student (in some cases), in the aggregate help anyone develop a picture of the student or, as importantly, a picture of the kinds of change that the student went through while doing the work? How do we manage this data, this student work that varies from math solutions to English papers to engineering drawings? How do we do queries that provide useful information about an individual student? How does a student use a bucket full of her work to get a job? Who, except for experts in the field, are able to judge the work?

If we are talking accountability or if we are talking creativity or employability--no matter what orientation we have--we want to know what value the student received from the education, and, to help keep adjusting our educational approaches, we want to know which experiences during the educational journey were most significant in producing the learning value.

What data would convey answers to these questions? Simply linking student work to overall learning goals for the program or the whole curriculum, no matter the complexity of the rubric, is not much better than our current grading system. This is tracking and management, not getting at the essence of the learning experience.

Where to look? Someone told me recently at a conference that she often wished she could hand in a “cover letter” with her assignments because she wanted to explain something about the effort to complete the assignment: couldn’t find that citation, tried a new approach, went another tack, this was the best work she had done yet, noticed a connection with some other work she was doing in another course, and so on. When the work is just completed, thoughts about the work abound. This is the untapped data we are missing. We need to look for the student to submit this second piece, this “cover letter” about the assignment.

Now, remember that electronic portfolios can associate various artifacts with each other. So, though it would have been arduous for the teacher if a student turned in two pieces of work with each assignment on paper, it is easy in the digital world.

This “cover letter” contains the real gold mine for the student, for assessment folks, for the teacher, for accreditors, employers, institutional research folks, program planners, deans--in short for everyone. Because, in this “cover letter,” the student is conveying what the assignment meant to him or her. Identifying meaning is what all learning is about. The grade takes care of assigning external value to the work; the cover letter conveys the inner meaning and the inner value.

Now, if students are handing in the assignment plus the cover letter (written in response to prompts) and also--this is another benefit of digital technologies--tagging the cover letter using a standard set of tags (which the student learned in a newly required course segment about organizing information) then we have in this “cover letter” a qualitative statement linked to a limited code statement which can then be searched later, and then these searches can be aggregated, and various queries of the electronic portfolio can then develop different learning profiles of the student over time, benchmarked by semesters or terms. We are putting better data in and therefore getting better data out.

Voila! We can then see change, students can see their own change, we can link the change to specific experiences, we can constantly reshape learning experiences based on cohorts, and our accreditors and the politicians will wear smiles because we’ll be able to see the actual learning taking place over time.

Comments

Fri, Aug 28, 2009 Marc Zaldivar Virginia Tech

I agree with Trent that the most challenging aspect of an ePortfolio program for assessment is scaffolding the experience so that (1) it engages the student in significant learning, and (2) it gives the appropriate people the information they need to do the assessment. And defining the needs of the "appropriate people" is itself a huge challenge: are we talking about the instructor of the course, the curriculum committee for a department/program, or the university/institution itself? Each of these groups have distinct needs for data, and I don't think there is a "silver bullet" for designing a portfolio that will collect everything for each audience in one container. I believe that each of Trent's described parts is important: student reflection is at the heart of the significance of the artifact collection, and having one without the other for me would be incomplete. However, it can easily be imagined to be too much if we simply said "put everything in the box and write nice reflections to tie it all together." The best programs think through carefully what data they want to collect from students, and more importantly, why they want to collect it. If it is made significant, the labor involved in the creation and assessment of portfolios can be well worth it; if not thought through, they can be frustrating.

Fri, Aug 21, 2009 Ray Tolley UK

In response to 'no name' I just wonder if you have a very narrow view of the use of an e-Portfolio? As a Secondary school teacher I just wonder if you really want to display every artefact from every module of 12-15 different subjects? - And what about informal studies, Work Experiences, personal activities or membership of organisations etc? Surely anyone checking out such a mass of evidences would not be able 'to see the wood for the trees'? I therefore see the e-Portfolio as a purposeful collation of that which is appropriate to a given audience.

Thu, Aug 20, 2009

This article feels like looking for easy answers where there should be careful and comprehensive evaluation. I thought the whole point of e-portfolios was their ability to offer a comprehensive view of student work. Focusing on cover letters and identifying meaning to the student are not necessarily points of interest that every professor or employer will value (and with all due respect there's more to learning than that - application and skills are two things that come to mind). Most of all, the work is what matters. Students can try to explain the work all they want to, just as authors often attempt to explain their writing in forwards, prefaces, and interviews afterwards, but if something's not in the work, it's not in the work. The self-analysis might help us understand why the student made certain choices, but the work, like any primary source, is where we will discover what the student can and cannot (yet, at least) do.

Thu, Aug 20, 2009 Dennis Coxe East Lyme, CT

It seems to me that this discussion is continuing to try and capture the will-o'-the-wisp that is proof of learning. The example of the cover letter may work for one learner, but becomes a burden for others who do not feel a need to explain their learning. It then becomes another assignment in the ongoing paper chase. I'm not convinced that any technology can capture the inner workings of the mind and how it constructs knowledge.

Thu, Aug 20, 2009 Ray Tolley UK

Hi, Thinking further about BDL's comment, perhaps my latest blog entry might amuse: http://efoliointheuk.blogspot.com/2009/08/moving-house.html

Thu, Aug 20, 2009 Ray Tolley UK

Trent, Yet another erudite article from you - Thanks! However, I wonder why you use the term 'data' when I would rather use the term 'information'? Do you choose to signify a differnece? But in response to BDL's comment, "If I was going there, I wouldn't start from here." In other words, how on earth did the students get into their heads that the e-Portfolio was ever the place to store EVERYTHING? Trent: In response to your reference to the girl wanting to attach a covering letter, yes, getting warm to the idea of an e-Portfolio, but why not the other way round? - where the e-Portfolio statements become the 'covering letter' with evidences (ie artefacts) attached where appropriate.

Wed, Aug 19, 2009 BDL Connecticut

Because eportfolios seem to give us unlimited ability to collect "stuff" (artifacts that serve as some type of limited "evidence of student learning") they can give us the illusion of achieving that goal---of collecting significant evidence of student learning for assessment. But as any good archaeologist can tell you, piles of stuff--electronic or otherwise--are still piles of stuff, unless they are gathered with contextual information and surrounding assessment. Fortunately, we have the technology to gather all of this, at the very point and time of students' demonstrations of learning. The trick now is for us to realize this and get with the technology.

Wed, Aug 19, 2009 Charles Secolsky County College of Morris - Randolph NJ

I believe that the difficulty of work assignments needs to be taken into account in assessing learning even when the development of learning over time is the objective of the e-portfolio. Work samples can be weighted with respect to difficulty when significant differences exist between work samples produced as judged by rubrics used to measure the differences between assignments.

Wed, Aug 19, 2009

I use portfolios in my college courses to help students learn about their own strengths and weaknesses. Web portfolios provide lasting value to the student as they progress in their studies because it provides a visual benchmark for the student to continue with their achievement. I use www.portfoliovillage.com because it provides a free product and a robust paid product that gives the students a URL, server space, and drag and drop software that allows them to create Flash and HTML driven portfolio without extensive technical skills.

Wed, Aug 19, 2009 Bob Barboza Long Beach, California

I started using electronic portfolios in K-12 education 20 years ago. We added a college portfolio to the software as qn upgrade. If you are doing any action research with electronic portfolios please contact me. I would like to make some donations of the Super School Portfolio Assessment Kit. Electronic portfolios have great potential in the hands of teachers who love to teach and want to see growth over time. It sure works for artists and photographers. Teachers need to take a lesson from Apple Computer and think different.

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